The Carrolls: Four Related Visions at the Two Villages Art Society
UPCOMING SHOW MARCH 22-APRIL 19, 2025
Opening reception with the artists Saturday March 22, noon to 2:00.
Artists David M. Carroll, Laurette Carroll, Sean Carroll, and Riana Frost
David and Laurette Carroll and their children Riana and Sean are known for their work in various genres: oil and watercolor painting, multimedia, jewelry, and feather painting. While each artist has his or her own style, the members of this creative Warner, N.H., family have influenced and supported each other in their art over the years.
Garden Path by Laurette Carroll
David M. Carroll, Spotted Turtles in a Migration Stream
As it has long come to be for any places with wildness, natural wildness with rich and complex ecosystems and biological diversity, the fate of the Warner River and its ecologically and aesthetically exemplary riverine and riparian corridor, rests in human hands.
This is of course the global operative, with places of true natural-landscape integrity and respect essentially remaining in the keeping of indigenous peoples. And these people and their holdings are themselves under unceasing pressures for exploitation, development, and vast transformation to serve recreation.
In very short order, the rail trail would undo the millennium of evolutionary workings that began as the last glacier retreated, to co-evolution that has resulted in the river we know today. A balance of complexity beyond human comprehension becomes unbalanced by such manipulations.
Over that ten thousand years the original people, now displaced, replaced, did not take one thread of running water from the enormous and intricate tapestry of Earth’s global ecosystem.
The riverine, wetland, and upland habitat mosaic of the Warner River- yet largely in its natural state -currently serves exemplary ecosystems and their abundant native flora and fauna, an increasingly diminished, to rare, biological diversity.
It is of great note that the river, its floodplains, vernal pools and other wetland niches protects and provides – cover, food, raising young – for all species, which is especially critical for those in decline, and a number of them threatened with extirpation and even extinction throughout their beleaguered natural ranges. The migratory function of the corridor must not be overlooked, or driven from existence. The river and its corridor are themselves, in their current largely untrammeled status, endangered species.
With the implementation of the severely invasive, habitat-consuming, rail trail project all of these biological requisites would become subject to heavy negative impacts, severe disturbance. The reality of what mere human presence and activity brings to bear, exacerbated by the ubiquitous accompaniment of dogs, must come to be recognized. One of the most damaging outcomes for wildlife involves flight response, taking to cover, an obligate evolutionary reaction that is activated by these combined disruptive interferences, impacting, among other things, foraging, courtship and mating, raising young.
Silence, solitude, space, and time, along with connectivity, are sine qua nones of the life of natural communities. The tweaks that come from environmental consultants and reviews, engineering, cannot avoid an unsustainable taking-away of these fundamental ecological requisites,
which should be the inalienable rights of nature.
That the intense incessant level of these and other impacts (including habitat loss, marginalization, fragmentation, and alteration) are unavoidable in all that comes with the running of a rail trail, any trail, through a natural realm should be obvious. A degree in biology or environmental science is not a requirement for this level of awareness.
It must also be recognized that the rail trail agenda is but the tip of an iceberg, in terms of the avowed vision expounded by Tim Blagden and associates of turning the Warner and Contoocook Rivers into a tourist destination for people from Boston (and elsewhere, I have to imagine); with other not so well known plans. I believe the one for a game park and boat launch at the riverside parcel once unwisely considered for a fire station
has been abandoned.
I don’t think the exploration of having water from Lakes Todd and Massasecum being released to raise the water level of the Warner River one foot has gained any traction. Discussion of a mountain bike trail up the other side of Mount Kearsarge has been opened.
Before we can begin to properly address the alarming acceleration of extinctions, endangered species realities, we must confront the endangering species. And when we seek to combat the quite possibly irreversible, profoundly species-eliminating effects of invasive species, we must take a look in the mirror.
It is hard to know how to put it. I hear of the river being as being “our” river. By what authority, and by what means has ownership been so conferred. It is, I could think, a neighbor adjacent the Warner Community, so proudly spoken of. The river is a community, a natural community made up of communities… with its own rights, the rights of nature that we are inexcusably and damagingly remiss in not recognizing.
How would joining the natural-world-diminishing, consuming, rail and other trail mania (conservation commissions have whole-heartedly signed on to trail-building in their mission to “protect and utilize”) portray the character of our town, with it’s pronounced dedication to keeping its “rural” character, and, I think to a degree, a wildness in nature?
We’d be profoundly praised in partisan circles for joining trail expansions. And we might well be vilified for standing against this usurpation of nature. But I do believe that we would be deeply admired, and thanked, for putting a river first.
Forthcoming elections, and town meeting, offer opportunities to speak for the river, and endeavor to bring about a denial of the construction of a rail trail through the Warner River’s natural-environment corridor. Overlooking the “earth cost”, the bankrupting of a river for recreational pleasures and dubious at best underlying economic considerations, is unacceptable. We must not walk away from the fate of the river.
Gray Tree Frog
“David Carroll is a madman, a genius, a national treasure’ Annie Dillard
A summary of David M. Carroll archival collection(s), literary material and original art that is available for acquisition, purchases. Of interest to archival institutions; universities; museums; art and literature collectors; art and archival investors; benefactors, alumni associations et. al.
I am pleased to invite visitors to view this comprehensive catalog of my archive – my life’s work as artist, naturalist, and writer. My work in all three arenas has been widely recognized, as is elucidated in the catalog’s accounts.I have been working with Wild Goose Web Design to put together, in text and images, twenty eight categories of this material, varying from drafts for all five of my published books; unpublished writings, thirty four years of my field (“Digs”) notebooks; drawings and watercolors produced to illustrate the books; and representatives of my non-natural-history art (from figure studies to scientific illustrations and non-objective paintings and drawings), and considerably more material, under the heading of “Table of Contents”.
Each of of the categories (“chapters”) features images of its associated art and/or writing along with background – some history – of each genre, its content (the nature of the material), explanations, techniques, and how the work, visual or literary, came to be. Opportunities are presented for acquisitions of core archival material from each of the three realms of my creative work, as well as the purchase of individual objects of art.
As expressed throughout the catalog I am open to, and happy to invite discussion of any possibilities, and also welcome comments and questions. I would appreciate any viewer’s sharing or referring my “Table of Contents” to any who might have an interest in this introduction to the creative work that has resulted from my life as artist, naturalist, and writer.
“David M. Carroll’s “FOLLOWING THE WATER” finds a place in the exalted tradition of American nature writing that includes such classics as “Walden”, “Silent Spring”, and “Sand County Almanac”.
“He’s a marvel, a nature writer’s nature writer. Emerson memorably wrote that “life is an ecstasy”, and David Carroll recapitulates that truth in his rhapsodies. He is rapt. I read him rejoicing. Even the poignance is quite enthralling. I read it in a single night.”
–Ted Hoagland
“David Carroll’s fascinating book [is] the work of an accomplished naturalist and artist of great talent.”
Watch the exclusive interview with David M. Carroll, from the exhibition “Beyond Words: Book Illustrations by David M. Carroll, Tomie dePaola, and Beth Krommes” that ran at the Currier Museum of Art from June to September 2018.
The studio gallery will be open weekends from 10AM to 4PM by chance or appointment at (603) 456-3947
We are happy to share this updated venue for our work with you, and thank you for visiting us.
We have wanted for some time to greatly expand the range of our original site, with a more comprehensive exposition of our art, in particular of our original works, which we will be able to offer for sale via our studio gallery/art web site, as well as directly from the gallery. These will complement our historic – classic – images that have been available as prints for many years.
We will also be introducing a series of signed, limited edition giclée prints of selected original works. David looks forward to displaying and offering for sale original works in genres outside of the natural history drawings and watercolors, the aspect of his work that is by far the most familiar to viewers and collectors. Selections of his non-natural-history drawings and paintings are shown in the gallery tour videos, parts one and two.
We will continue to have our traditional line of “product” (as I call it), with prints of some of David’s watercolors of turtles, trout, salamanders and frogs; Laurette’s landscapes and flower and garden paintings; Sean’s evocative “Last Cast”; as well as magnets and cards with some of these images, David’s books, and the T-shirts.
It is also David’s intent to take up his long-abandoned blog, davidmcarrolljournal.com, with highlights from the past (2015) season, observations from his twenty eight years’ worth of field notebooks, and other commentary, and accounts from the field as another season begins.
He will also be addressing issues of increasing importance concerning the destiny of the “Digs”, that has been at the heart of his notebooks, and central to his presentations and published works, as he continues to press for the need to go beyond conservation to preservation – the setting aside of intact, extensive, ecosystems featuring endangered/at-risk species and high biodiversity – excluding public recreational access (a feature of virtually all conservation properties), the great majority of which become, in essence, human playgrounds/theme parks, and dog parks.
This is an increasingly critical and contentious issue, with true preservation all but impossible to put in place.
Our new format will allow expanded pages, videos, and other content to amplify our site with exhibitions of our work, David’s writings (some in the foreign languages he pursues), demonstrations of our creative processes, virtual gallery tours, David’s readings, and on.
We invite you also to view postings that have been archived on Youtube in recent months, showing some archival videos of David’s presentations on turtle and wetland ecology, interviews, readings, and documentaries on his field work, art, and writing.
The latter was awarded the John Burroughs medal for distinguished nature writing. This “wet-sneaker trilogy” was expanded to a quartet with the publication of his memoir centered on his lifelong connection with turtles and their habitats, SELF-PORTRAIT WITH TURTLES.
David’s last book, FOLLOWING THE WATER, was nominated as a finalist for a National Book Award in non-fiction.
Laurette Carroll studied at the School of the Museum of Fine Arts, Boston. She works in oils, acrylics, watercolors, and pastels, often using mixed media and integrating drawing and collage elements into her paintings.
Her approaches range from naturalistic to impressionistic and abstract. Landscapes, in particular rivers, marshes and swamps, are a primary theme in her work, which is painted directly from nature as well as from memory and imagination.